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x AKG C414 B-XLS
The
new AKG C 414 B-XLS Condenser Microphone has undergone numerous refinements
to reach its current version. The AKG C 414 has been a studio workhorse
for many years. It now has a vastly improved capsule shockmount and switching.
1" diaphragm. 5 switchable polar patterns: omnidirectional, wide
cardioid, cardioid, hypercardioid, and figure 8. 2-color LEDs indicate
polar pattern and output overload. 3 switchable bass cut filters and 3
pre-attenuation pads with LEDs for quick reference. 20Hz to 20kHz frequency
range. Signal to noise ratio of 88dB, A-weighted. Ideal for accurate,
beautifully detailed reproduction of any acoustic instrument.
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x Marshall MXL Genesis
The
MXL Genesis is a masterfully engineered tube microphone with features
and performance levels found in mics priced thousands of dollars more.
From intimate vocal recordings to fast-attacking rap, the Genesis cuts
beautifully through the mix with spectacular detail. Recording professionals
and musicians are praising the Genesis for its clean highs, warm mids,
and tight bottom-end, features attributed in part to the genuine Mullard
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x Electro-Voice RE20
The
bass-boosting proximity effect common to most directional microphones
when used close to the sound source, is eliminated in the RE20. This is
accomplished via the application of the EV-exclusive Variable-D technology.
By controlling the effect of microphone proximity, the RE20 can be located
very close to sound sources without a loss in clarity or definition making
the RE20 ideal for tight vocals and challenging instruments. It can be
used inside bass drums, on acoustic guitars, and is found in voice booths
and broadcasting studios everywhere.
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x Sennheiser MD421
The
Sennheiser MD421 MKII U4 Mic is one of the best-known mics in the world.
Walk into any drum booth in any major studio and you'll most likely see
MD 421s on the toms. Talk to just about any seasoned FOH or recording
engineer about their drum miking preferences for toms and percussion and
the name MD 421 will invariably come up. Its excellent sound qualities
also enable it to cope with the most diverse recording conditions and
broadcast applications. The 5-position bass control enhances its all-round
qualities. With very effective feedback rejection and a highly directional
cardioid pickup pattern, placement is a cinch. Rugged construction.
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x Shure KSM27
The
Shure KSM27 Studio Microphone is a side-address condenser mic with a cardioid
polar pattern. Designed for studio use, yet rugged enough for live applications,
the KSM27 has an externally biased, 1" ultrathin, gold-layered, low
mass Mylar diaphragm to provide superior transient response. An extremely
low self-noise level and selectable frequency response deliver superb
recording fidelity no matter what the source. Requires phantom power.
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x AKG D112
On
stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to
use to clean up the dirty low down. Stays free of distortion even at high
sound pressure levels. Solid and powerful response below 100Hz. Very low
diaphragm resonance, relatively narrow-band rising high-frequency response
at 4kHz, and extremely robust construction are other outstanding features.
Also works great for bass cabs, trombone, and other low-frequency instruments.
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x Electro-Voice Blue Cardinal
The
Electro-Voice Blue Cardinal is a pressure-gradient cardioid condenser
microphone that's perfect for vocals or instruments, live or in the studio.
The unique double swivel-mounted design allows ideal positioning while
the Class-A, discrete ultralow-noise circuitry delivers immaculate reproduction
regardless of the source. Requires phantom power.
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x Sennheiser e604
The
response and cardioid pattern of the Sennheiser e604 Drum Microphone is
optimized for use on drum sets, while also producing exceptional results
on brass and woodwinds. Sennheiser e604 mics handle very high SPLs, with
clear, balanced, low-distortion signals similar to high-end studio condenser
mics. Lightweight voice coils provide extended high frequency and rapid
transient response. Tough reinforced fiberglass bodies take knocks and
shocks and suppress impact noise.
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x Marshall MXL V900
The
MXL V900 is a large diaphragm condenser microphone that is as comfortable
to use and as effective on stage as it is in the studio. The heavy duty
custom grille assembly has been carefully tuned to optimize the V900 microphone's
premium condenser element. Internally shock mounted, the MXL V900 mic
has a unique stand mounting design that isolates vibration and reduces
handling noise. The V900 is a Class A microphone designed to exhibit a
wide dynamic range and a low noise floor.
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x Audix I-5
The
cardioid pattern Audix I-5 Instrument Microphone is a dynamic mic with
a smooth, uniform frequency response of 50Hz-16kHz with SPL handling of
140dB. It's versatile enough to handle a wide variety of applications
and music genres. Features a durable cast zinc alloy body, dent-resistant
grille, and black E-coat finish.
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x Shure SM57
One
of the most popular professional instrument/vocal microphones of all time.
This dynamic mic is a reliable, natural-sounding performer, night after
night. Its durable, bulletproof design stands up to road travel and abuse.
Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz)
and tight cardioid polar pattern are ideal for close-in miking of speakers. |
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x Sennheiser e609
The
Sennheiser e609 Silver Dynamic Guitar Mic makes getting killer electric
guitar sounds in your project studio or onstage a cinch. Its laterally
mounted capsule can get extremely close to the speaker while the supercardioid
pattern provides isolation from other signals. The lightweight voice-coil
construction and rigid dome diaphragm provide extended high-frequency
performance and a long-wearing capsule assembly. Also suitable for miking
drums, especially toms. 40Hz-18kHz frequency response.
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x Marshall MXL R44
Incorporating
a Figure-8 polar pattern and a 1.8-micron aluminum ribbon, the R44 offers
breathtaking sound for vocal and instrument recordings and is an excellent
microphone for broadcast applications. The R44 also performs brilliantly
on acoustic instruments, strings, and horns and offers high SPL capability,
outstanding side rejection and precise directivity. |
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Pair x Marshall MXL 550/551R
This
all-in-one Recording Ensemble delivers outstanding performance for both
vocals and instruments. Ideal for quality oriented but budget-mindful
musicians, the MXL 550/551R includes the MXL 550, a robust vocal condenser
microphone with exceptional clarity and tonal quality, as well as the
MXL 551 instrument microphone with the dynamic range needed for acoustic
guitars, drums, high-hat cymbals, pianos, percussion, stringed instruments
and more.
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x Astatic by Hohner JT30
The
The JT30 Roadhouse Harmonica Microphone is an exclusive version of this
Astatic by Hohner handheld mic with volume control. The JT30 Roadhouse
Microphone produces that classic, dirty Chicago blues harp tone.
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x Marshall MXL V93M
The
V93M is a superior 1.06" condenser mic from Marshall. This limited
edition offers a beautiful silver body and wired internally with top of
the line Mogami cable. The V93 has a bass roll off switch &-10db pad.
The Mic comes complete with a high isolation shock mount at no charge. |
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x Audix Fusion F15
The
Audix Fusion F15 Mic captures the wide sound field and transients of cymbals.
The condenser microphone adds dimension and realism with a 100Hz-20kHz
frequency response and cardioid polar pattern. Die-cast zinc housing.
Requires phantom power.
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x Marshall MXL V250
The
MXL V250 gives vocals the right mix of power and polish. This true pressure
gradient condenser microphone delivers big, bold vocals with a presence
that breaks through the rest of the tracks. And it has a detailed, articulate
sound that makes subtle nuances shine. |